
Official promotional poster. Rights belong to the respective rights holders.
Read the film reference Availability and pricing vary by region.Catch Me If You CanA movie brief.
2002 / comedy-drama / Directed by Steven Spielberg
A true story of deception and charm.
What is Catch Me If You Can about?
In 1963, young Frank Abagnale Jr. begins conning people to survive after his parents' divorce. He impersonates a pilot, doctor, and lawyer, evading FBI agent Carl Hanratty.
Five things to know.
Setup
The film is based on the semi-autobiographical book by Frank Abagnale Jr., who claims to have performed cons worth millions of dollars before his 19th birthday.
World
The story takes place in the 1960s, with Frank Abagnale Jr. posing as a Pan American World Airways pilot, a Georgia doctor, and a Louisiana parish prosecutor.
Pressure
FBI agent Carl Hanratty is tasked with tracking down Frank Abagnale Jr., who continually evades capture by assuming different identities.
Craft
The film showcases Frank Abagnale Jr.'s exceptional forgery skills, as he creates fake payroll checks and other documents to support his cons.
Viewing Note
The film has been praised for its stylish and breezily entertaining portrayal of a true story, with a strong performance by Leonardo DiCaprio as Frank Abagnale Jr.
A thought to take with you.
Frank's impersonations work because he understands the authority people attach to uniforms and professional roles. Hanratty's pursuit gives the story a counterpoint: the agent wants to identify a person whose identity keeps changing with the opportunity in front of him.
Is it your kind of movie?
Choose it for a light-footed crime biopic about forgery and pursuit. The film dramatizes Frank Abagnale's story, which has been disputed, so its events are not a reliable factual record.
Sources & scope
This AI-assisted brief is based on the linked secondary reference. Facts and interpretation are separated; it does not claim personal viewing or independent expert review.
Source details checked September 30, 2026. Suggest a correction · Our editorial approach